Two lives on the ocean waves – the wonderful Wimbles of West Norwood Cemetery

The path on which you will find the Wimble monument.
©Carole Tyrrell

 

There is a clearing along Ship Path in West Norwood Cemetery where, if you pause for a moment, you could almost swear that you can smell the sea.  For a moment you can hear the ceaseless ebb and flow of the tides, the relentless cries of seagulls and the smell of ozone.

View of the Wimble monument, West Norwood Cemetery with the SS Maidstone panel.
©Carole Tyrrell

Then you’ll probably be standing in front of the exuberant and flamboyant monument to Captain Wimble (1797-1851) and his indomitable wife.  He was an employee of the East India Company and, Mary Ann, his wife, accompanied him on his many voyages which demonstrates that Captain Wimble didn’t subscribe to the old seafaring tradition that it’s unlucky to have a woman on board.  However, as sea voyages at the time could take over a year perhaps it was the only way that they could see each other.  He was born in 1797 and baptised at All Saints parish church, Maidstone in March of that year. Capt Wimble would have probably first gone to sea aged 12 or 13 and he was obviously ambitious. The East India Company who were extremely powerful and held a monopoly on the trade with India in importing items such as cotton and opium.  They were a precursor of the British administration in India. At 23, he became a ship’s captain with the Company by fulfilling their criteria and so his seafaring career began.

View of the Wimble monument, West Norowood Cemetery. Note the frieze at base that resembles rope and the ship on top.
©Carole Tyrrell

However, it’s immediately obvious that the monument is to a seafaring man. A boat, now sadly damaged, perches on top of the chest tomb.  It used to have iron masts but I have been unable to locate a photo with the ship intact. The nearest one is dated from 1968. Here is the link: https://www.architecture.com/image-library/RIBApix/image-information/poster/west-norwood-cemetery-london-the-sarcophagus-of-captain-john-wimble-decorated-with-ship-reliefs/posterid/RIBA48791.html

The epitaph on the front records his deeds and as you walk around you will see a sailing ship on each side.  They are still impressive and dramatic and the still crisp carving emphasises the sea scenes.  You almost feel that they could sail away at any moment.  These were all ships that Capt Wimble commanded. A sculptured length of rope decorates the base of the monument as a frieze.

 

On the east side is a 3 masted ship, the Maidstone, with furled topsails on a clam sea and is dated 24 June 1840.  He captained this ship on a round the world voyage in 1840.  It travelled to Calcutta, then New Zealand, onto New Jersey and then finally New York. The Maidstone, all 818 tons of her, was built in 1839 at the Blackwall Yard in London and owned by Green and Wigram. She was intended for the London – Bengal and London-Calcutta routes and was last recorded in 1860 when she was abandoned on the way to Australia. There is a painting of her in the National Maritime Museum.

The Florentia is depicted on the south side in stormy weather off the Cape on 24 June 1825 and to the west is the London, dramatically and perilously sailing in heavy seas with a broken mast off Gangam and this is dated 6th October 1832. Gangam is   a coastal district of Orissa in India which East India Company  ships would have passed through on their way to Calcutta.  The Florentia was the first ship that he captained and he would have sailed to the island of Madeira near Tenerife, turned towards Brazil for supplies, then onto South Africa and onto India.

The three scenes emphasise the unpredictable ups and downs of a sea captain’s life which was completely at the mercy of the weather at that time.   There is a fulsome epitaph to the Wimbles on the north side of the monument:

‘Sacred to the memory of Mr John Wimble,

34 years of whose life was passed on the

seas. Died, 23rd July 1851, aged 54 years. ‘They

that go down to the seas in ships and occupy

their business in great waters; these men see the works

of the Lord and his wonders in the deep.’

Also of Mary Ann his wife who shared in some

of his perils. Died Exeter, 22nd March 1886

aged 94 years.’

Close up view of the Wimbles epitaph, West Norwood Cemetery.
©Carole Tyrrell

Capt Wimble was clearly a man of substance as this unique and imposing monument demonstrates.  It may be more than coincidence that Capt Wimble’s first ship as Master was called the Maidstone. He was born in the town of that name and when he retired he named his house in Upper Tulse Hill Maidstone Cottage. In the first Census taken in 1851 he was recorded as living at that address with Mary Ann, then aged 54, and two servants, Mary Iles and Elizabeth Sheffield, both aged 26. He died at Maidstone Cottage in 1851 with the cause stated as ‘heart disease’.

As you might have guessed by the size of the tomb and the quality of the bas-reliefs Capt Wimble was a man of means as it was the custom for wealthy travellers to give the captain of their ship expensive gifts at the end of the voyage.

I am indebted to Eloise Akpan’s 2005 article in The Norwood Review for the details of his will and also the Friends of West Norwood Cemetery’s newsletter, September 2020 for the details on his will and ships.   Capt Wimble’s will was signed 9 months prior to his death and in it he specified the intended destination of ‘every bit of his clothing, jewellery and furniture’, as well as the money. The debts of the relatives to which he lent money are all erased. As a result of the generosity of his well-heeled passengers there was an impressive collection of gold and silver items including 6 silver candlesticks.  These came down to a descendant of John’s brother, Charles. This was Derek Wimble who lived in Herne Hill until his death roughly 36 years ago.  The candlesticks with an accompanying candle snuffer were subsequently sold by his widow with an engraved inscription that stated they had been

‘given by the grateful passengers on a homeward voyage from Calcutta to London in 1840.’

Sadly, Derek had no idea that his illustrious ancestor was buried nearby which is sad.

Mary Ann was a woman of her own mind. The will also stipulated that ‘

I direct that my body may be decently and plainly interred at the discretion of my beloved wife. She alone shall have the ordering and regulation.’

Perhaps she had her own interpretation of this and so she created a magnificent monument to her husband and herself which is one of the most attractive and imposing within West Norwood.

An interesting postscript to this was in the Friends of West Norwood Cemetery’s 2010 newsletter in which the headstone and grave of a William Wimble had been located close to Capt Wimble’s.  William had also been born in Maidstone – a possible relative?

Sadly, I have been unable to find an image of either Captain Wimble or Mary-Ann which would have enabled me to put faces to them.  The monument is due to restoration this year and I am looking forward to seeing the results.

But I’m sure that when I next visit that I will still hear and feel sea breezes as I walk towards it along Ship Path.

©Text and photos Carole Tyrrell unless otherwise stated

References and further reading:

The Tomb of Captain John Wimble, Eloise Akpan, The Norwood Review, The Norwood Society, Spring 2005

https://www.discoveringbritain.org/content/discoveringbritain/walk%20booklets/West%20Norwood%20DB%20walk%20-%20written%20guide.pdf

https://historicengland.org.uk/advice/heritage-at-risk/search-register/list-entry/50185

https://www.fownc.org/pdf/newsletter69.pdf – this contains information about Capt Wimble’s ships, voyages and will.

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The ships forever sailing in Rochester Cathedral

A ship scratched on one of the pillars in the nave of Rochester Cathedral
©Carole Tyrrell

Last month’s Symbol of the Month was devoted to the ship.  It’s a central symbol of Christianity and recently, on a visit to Rochester Cathedral, I found more evidence of this in the medieval graffiti etched on several of its pillars.

They are in the nave of the Cathedral and consist of at least a dozen scratched images of sailing ships.  They look almost as if a child has drawn them and you have to look very closely to see them.   Th eone above is the only one that I could find easily.

According to the Cathedral’s information board these were often drawn by :

‘…..crew members and sea captains with proximity to an altar, image or shrine dedicated to St Nicholas, the patron saint of those in peril on the sea. At times of trouble on a sea voyage, such as storm, a vow could be made to St Nicholas that, if they survived, a votive offering would be made in thanks, sometimes in the form of a model ship of wax and wood. Some of these models survive in coastal churches today but at Rochester this graffiti is the only surviving trace of this once common tradition.;

It goes onto add:

‘……..All recorded designs are located on the south face of the pillar, (this) may indicate the suspected  position of an altar or shrine to St Nicholas in the south nave aisle in the 12th of 13th centuries.’

 

There is a church dedicated to St Nicholas adjacent to the Cathedral but this is now the offices of the Board of Education of the Diocese of Rochester.  According to their website, there was a shrine to the saint within the Cathedral at which people worshipped until the 15th century. It was consecrated on 18 December 1423.   The current church dates from the 17th century with 19th century restoration.

So these little ships, symbols of protection, will sail on a sea of stone for as long as the Cathedral stands.  Let’s hope that all of the crews and captains, they who go down to the sea in ships, who created them came home safely back to port.

©Text and photographs Carole Tyrrell unless otherwise stated.

References and further reading

https://en.wikipedia.org/wiki/St_Nicholas_Church,_Rochester

https://www.kentarchaeology.org.uk/01/03/ROCN.htm

 

 

Symbol of the Month – The Boat

The first Symbol of the Month of 2020 – a little later than I planned but more to come….

Close-up of boat, Caig monument Brompton Cemetery
Side view of boat

There are many sailing vessels in cemeteries. Ships, boats and the occasional yacht, becalmed on headstones or monuments forever sailing on a marble or granite sea.  Often they reveal the incumbent’s former occupation as on this fine example on the grave of Captain Edward Parry Nisbet in Brompton Cemetery.  Note the cross formed by the mast which is one of the central symbols of Christianity. There’s also the magnificent and exuberant monument to Captain Wimble  and his indomitable wife on the appropriately named Ship Path in West Norwood Cemetery.

But this little boat tied up and apparently moored at the base of a large cross is symbolic of a journey that has reached its final destination.

Side Side view of boatview of boat showing detail as it’s been carved to resemble a wooden boat.

The monument is located within Brompton Cemetery and is a representation of the journey of life.  This is a small sculpture of a rowing boat that has been carved to resemble a wooden one and there are seats inside but no oars. It could be interpreted as coming to the end of your life or journey and entering another life of eternity symbolised by the cross.  In other words, the crossing to the ‘other world’ as Douglas Keister calls it.   Also as www.stoneletters says:

‘…it’s a symbol of our last journey, it embodies the voyage of life, of coming full circle and taking us back to the waters of our beginning.’

However a boat can also be seen as an emblem of safety and refuge as it carries us over life’s often choppy seas and takes us home.  In this context, another boat that springs to mind is Noah’s Ark.  It protected and saved all that were on it and was a metaphor for the church as it weathered the storm against all odds.  However, Keister also suggests that the shape of a boat can resemble that of a cradle or a womb which would again emphasise shelter and protection. It holds us secure above the chaos of life.

Boats and death are a central theme in many other religions and cultures in that they carry the souls of the dead to eternity.  For example, King Arthur was transported by boat on death and, most famously, the Vikings people also used funerary boats. This was granted to important people of the tribe as they and their possessions would be sent out across the water in one after it had been set ablaze.  A symbolic mimicking of the soul’s journey to Valhalla.  Also in Greek mythology, Charon was the ferryman who took the souls of the dead by boat into the Underworld by crossing the River of Woe, Acheron.

But boats and death also feature in literature, especially poetry and there is the famous quotation by F Scott Fitzgerald:

‘So we beat on, boats against the current, borne back ceaselessly into the past.’ 

‘Crossing the Bar’ by  Alfred Lord Tennyson also features a sea voyage which will end in death,

Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,

But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.

Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;

For tho’ from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crost the bar.

There is also The Ship of Death by D H Lawrence amongst others.

I said earlier that a boat or ship is an important Christian symbol due to the mast forming a cross. Also, the Latin for ‘nave’ ,the central aisle of a church,  means ‘ship’ and there are several Biblical references to boats and ships.  After all, Christ told his disciples to “follow me and I will make you fishers of men”.

But let’s not forget that a boat or ship can also indicate a love of sailing and freedom.

The epitaph beneath the boat – some of the letters are missing .
©Carole Tyrrell

Some of the letters on the epitaph beneath the boat and cross have worn away so I can only assume tha the name commemorated is Walter Ward M Cais but it seems incomplete. He died young at only 43 and his widow, Martha, married again and lived well into the 20th century. It must have been a message of comfort that Walter’s small boat was moored safely for eternity.

Full view of the boat and cross, Caig monument, Brompton Cemetery
©Carole Tyrrell

 

© Text and photos Carole Tyrrell unless otherwise stated

References:

Stories in Stone, Douglas Keister, Gibbs Smith, 2004

https://stoneletters.com/blog/headstone-symbols-the-boat

https://allaboutheaven.org/symbols/boat/123

http://www.historyofpainters.com/boat_symbolism.htm

http://imagesinthemind.blogspot.com/2008/08/boat-symbol.html