In a lonely place………a visit to the Darnley Mausoleum, Cobhma, Kent – Part 2 the resurrection

A view of the Darnley Mausoleum and its vandal proof fence.
©Carole Tyrrell


So what can you do with a ruined, vandalised building in the middle of a wood?

Hope that it falls down and solves the problem?

Forget about it, let nature take its course and make it into a romantic ruin?

Wait for someone else to finish the job and try and blow it up again?

Luckily for the Mausoleum, there were local people who cared about it and knew what a jewel they had in their midst. They were determined to save it.  So in 2001, Gravesham Council took the bold step of buying it and Cobham wood from HM Government and, with funding from Union Railways, the Cobham Ashenbank Management Scheme or CAMS for short was formed. This included several stakeholders such as the National Trust and English Heritage and with a £6million grant from the Heritage Lottery Fund they carried out the restoration. They were lucky that Wyatt’s original drawings still existed as well as James Wraight RIBA’s 1946 full drawing with measurements which were invaluable resources. In 2010 the project won at the Kent Design Awards and the National Trust took over in 2013.  It must have been a real challenge to turn a ruin back into the glorious building that it is again. It opened to the public in April 2014.

It’s a remarkable building which has survived because local people appreciated its beauty and importance.

Mausolus, the journal of the Mausolea and Monuments Society commented:

‘That it’s a reminder of thwarted sepulchral ambition and episcopal control’

and it is an apt description in many ways. For a funerary symbol enthusiast like myself it was a fascinating structure to walk around it and see the various motifs of death. I was so glad that I made the effort to visit at last.

If you want to visit the Mausoleum then be prepared for a walk. You can come up through the Ransford Nature Reserve which is a lovely stroll, especially if the poppy field is in bloom.  Continue walking up through it to the top of the hill and then follow the Darnley trail through the woods. I did manage to get lost on my return journey but kept following the rule of going down all the time. The alternative is to walk through Cobham village and onto Lodge Lane at the bottom and follow the directions on the map on the noticeboard.

However, I saw the Mausoleum on sunny days but on a darker, greyer day it could feel far more eerie and melancholic. A cold wind blowing around it would remind  the casual passer-by that eternal rest can be a very, very  long time. Perhaps that’s the effect that the Darnleys wanted to achieve.

But then who’s to say that maybe the ghosts of long dead Darnleys don’t drift up from the churchyard of St Mary Magdalene and take up their allotted space within the Mausoleum’s crypt? There’s enough room for 32 of them after all…….

©Text and photos Carole Tyrrell unless otherwise stated.

References and further reading:—the-restoration-story contains a photo of how the mausoleum looked after the arson attack. – a piece about the creation of the lunettes.


In a lonely place…………..a visit to the Darnley Mausoleum Cobham Kent Part 1

©Carole Tyrrell

Cobham Wood can feel like a haunted place. This is where the 19th century artist, Richard Dadd, murdered his father in a spot still known as Dadd’s Hole and so began his journey to a lifetime in Broadmoor. But before Mr Dadd gave into his murderous impulses, there was another place associated with death that sits alone in the woodland.  Once intended as a grand and capacious building to house the dead of the Earls of Darnley, it was never used and, for a long time during the 1980’s and 1990’s, it was surrounded by piles of burnt out cars and motorbike scramblers. The hilltop location was ideal for these nocturnal sports.

But on 5 November 1980 someone went too far and lit a pile of tyres and petrol cans in an attempt to blow the mausoleum up.  It brought down the chapel floor and the Mausoleum was open to the  elements. But it survived.

However, it was a sorry sight in 2003 when it featured on BBC TV’s ‘Restoration’ programme as an appeal was launched for funds to restore it. However, the Mausoleum’s future looked  bleak and even I thought that, due to its location, any restoration would be destroyed again. You can see how it looked at the time:

But in June 2020 I made the pilgrimage through the poppy field of Ranscombe Nature Reserve and up through the woods to the Mausoleum. As I emerged from under the tree canopy I was amazed by the Mausoleum’s size. It is big, very big and was designed to hold 32 coffins in a lower crypt. It’s an extraordinary building and was originally sat at the highest point of the Darnley estate.  It became an important feature of the landscape, almost an eyecatcher folly.

The Mausoleum is square in shape with a pyramid shaped roof, a dry moat and a vandal proof fence.

An illuminated lunette hints at the style of the interior.
©Carole Tyrrell

It’s Grade 1 listed and a rather unlovely door keeps it secure from unwelcome visitors.  Just above it I could see one of the 4 lunettes or half-moon windows as the sun shone through the amber stained glass.  This was a tantalising taste of what lay inside as the light shining through them is intended to create an ethereal light inside. But, alas, the building is closed to visitors at present due to COVID-19. The building is made of brick and faced with Portland stone. It can be seen as

‘a very grand classical temple that emphasised the Age of Enlightenment’s preoccupation with a classical way of death’ according to the National Trust’s website.

It drips with symbols of death and remembrance.  The square, circle and pyramid are classical motifs of eternity, the downturned torches indicate a life extinguished and there are 4 little sarcophagi on each corner.  These were stone coffins designed to hold the dead and the word comes from the Greek for ‘flesh eater’.  I was in my element as you can imagine.

But who built it and chose its location? It was the 4th Earl of Darnley  who commissioned the fashionable and exacting architect, James Wyatt (1746-1813) to design the Mausoleum according to detailed instructions in the 3rd Earl’s will. The Earls of Darnley had always been buried in Westminster Abbey but after the 3rd Earl’s death in 1731 the Abbey was full. So the Mausoleum was to be the solution and would hold the coffins of the Earls and their family members. The 3rd Earl:

‘left detailed instructions in his will in which he clearly stated that he wanted a square stone building with a ‘prominent pyramid’ surrounded by a dry moat. He left £5000 or £10,000 if the first amount wasn’t sufficient.’ National Trust

 The source of the pyramid might have come from the Earl’s Grand Tour when he may have seen the tomb of Caius Cestius in the Protestant Cemetery in Rome.  There is also a building with a pyramid roof in the background of a 1647 painting by Nicholas Poussin, ‘The Sacraments of Ordination’. He was a highly regarded painter in the 18th century and there were several paintings by him included in the sale of Cobham Hall.

As the journal of the Mausolea and Monuments Society says:

‘Pyramids were rare in in English Georgian architecture and made their first appearance at Castle Howard;….Wyatt and Darnley trying to recreate the solemn grandeur of the ancients…’ Masusolus

Another source of inspiration may have been  the famous tomb of King Mausolus at Halicarnassus in Asia Minor. He died in 353BC and such was the fame of his tomb that his name became synonymous with all subsequent stately tombs. As a result they became known as mausoleums.

The Darnleys lived at nearby Cobham Hall so the Mausoleum it would have been handy to have your loved ones nearby for eternity. Of course you may have been looking at it and wondering when you might be joining them. In 1786, at its completion, the Mausoleum cost, in total, £9000 which in today’s money is £1million. It is a lavish building with a marvellous interior from photos I have seen.

Wyatt’s designs were exhibited at the Royal Academy in 1783 and a modified design completed in 1786.  However, it was George Dance the Younger (1741-1825) who supervised the work as Wyatt was renowned for having a bad reputation in erecting his own work.  After completion, Humphry Repton (1752-1818), considered to be the last great landscape designer of the 18th century spent the next 30 years designing the landscapes around Cobham Hall for the 4th Earl.

But the Mausoleum was never consecrated and so couldn’t be used for its intended purpose.  According to Mausolus, the journal of the Mausolea and Monuments Society,

the Bishop of Rochester was disapproving of buildings in secular sites and refused to consecrate a building that so brazenly evoked pagan arcadia.’

 Repton himself suggested that it be converted to a viewing platform so that it could be put to some use and the views would have been amazing but it didn’t happen.

But instead of being laid out in the Mausoleum as intended the Earls of Darnley have been interred in the vaults and churchyard of St Mary Magdalene in Cobham village. There is a fine display of their memorials at the rear of the church and in the churchyard.

The Darnleys income came from a 25,000 acre estate in County Meath, Ireland. However their  fortunes declined and in 1957 they sold Cobham Hall. After the arson attack there were many suggestions and schemes for the Mausoleum’s future. A developer bought it, intending to convert it into a residence but went bankrupt.  He was presumably hoping to find a buyer who liked seclusion and could find a use for 32 coffin spaces in a crypt. The building passed into the hands of the official Receiver and HM Government became its new owner. The 4th Earl’s creation’s future looked bleak, its interior blackened from the arson attack and covered in graffiti and surrounded by a rusty junkyard.

What would happen to this fine building?

Part 2: The resurrection of the Darnley Mausoleum

©Text and photos Carole Tyrrell unless otherwise stated.

References and further reading:—the-restoration-story contains a photo of how the mausoleum looked after the arson attack. – a piece about the ceration of the lunettes.